LEAH LAPALME
studio_bleu et orange
To begin, I’d like to talk about Bauhaus. I first learned about this art school through Gerrit Rietveld’s Red-Blue Chair, which used similar colors and geometric elements to Mondrian’s work and was invited to participate in the Bauhaus exhibitions. Mondrian was the first artist who drew me into the world of art, and his works mean a lot to me. So, when I saw this chair, it immediately caught my eye, and I wanted to learn more about Bauhaus. Its art and design represent the simplicity of form following function, which I found absolutely fascinating.
The idea of breaking away from traditional forms and eliminating unnecessary elements at the time certainly provided aesthetic direction to Bauhaus. But, I think that the rapid growth of industrialization in German society, along with the shift from traditional craftsmanship to mass production, pushed Bauhaus teachers and students to rethink their roles, and the need to respond to the social and economic upheaval caused by the war impacted the style they developed.
I think art reflects its times, and I find today is similar to the moment when Bauhaus was founded—in both cases, the world faced a necessity for rebuilding. The widespread collapse after the war affected many aspects of society in Germany; meanwhile, the value of traditional craftsmanship was diminished by mass production. Today, we are in the middle of the climate crisis and decline in biodiversity, which requires us to rethink and redesign what is causing these problems. What is the root cause of the rising global temperatures and the growing number of species threatened with extinction?
I think these environmental issues stem from our expansion on this planet, focused only on our own benefit. Our relentless pursuit of human-centered development has led us here, and I think this has been possible because, for a long time, humans have implied that other living organisms are beneath us—something we can easily take if we choose. Also, we often think of them as individual beings rather than as part of interconnected ecosystems. This mindset has led us to expand without consideration, assuming that our actions may affect only a few species, while in reality, the balance of ecosystems becomes susceptible to collapse.
The current environmental challenges inspire my work, and I hope that, one day, more people will recognize other species as equal survivors in the history of life and come to respect their existence.
Years later, after moving to Canada, I fell in love with art for its quality of communicating thoughts through artworks. I knew then I wanted to be an artist. But I found myself asking, "What do I want to say?" and "What is my art?"—questions I didn’t yet have the answers to.
So, I began my journey by studying historical artworks that had fascinated me, starting with Mondrian, the first artist who led me to see the beauty in art. From a single artwork, l'd search for related information-other artists who were creating at that time, whether many were working in a similar style, and what drove them to work that way. I had so many questions and was eager to learn.
As I looked into art history, I noticed one thing: artists are influenced by their times and circumstances. I realized I'm no exception to this.
So, I’m going to share why I’m currently working in this way, and talk about the artists or movements that inspired me.
What is the root cause of these problems?
I believe it stems from our historical focus on human prosperity. The emergence of these issues, particularly since the Industrial Revolution, followed by agricultural breakthroughs with nitrogen fertilizers, and the subsequent exponential increase in the human population, highlights how human-centric we were until today. It may seem natural for a species to prioritize its own prosperity, which could be seen as human nature. I should acknowledge that I belong to a generation that has benefited significantly from this growth. However, recognizing this past behavior, it is now crucial for us to change.
This understanding inspired me to continue working as an artist, but I realized I should do something more. Something more practical and realistic—something to which I could tangibly contribute. This led me to the idea of starting a design studio, named bleu et orange.
The name 'bleu et orange' embodies the fundamental principle of my studio. Blue and orange are complementary colors; when used together, they create a striking contrast, making each hue more vibrant. This concept reflects what I aim to achieve through design: different elements complementing and enhancing each other. In a narrow sense, this could involve composing objects within the same space. More broadly, it encompasses humans and other species living harmoniously on this planet.
Architecture is a crucial element in this vision because it represents the intersection where nature and human habitation converge. It delineates the interior, a space for human living, from the exterior, a habitat for fellow living beings to dwell. Landscaping the exterior of a building is not merely a choice but an essential element for us. Understanding local plants and placing them can invite more of indigenous insects, birds, and other wildlife.
With this principle in mind, I’m going to share conceptual images of architecture and the surrounding garden in the near future.
I learned so much from this experience: some weeds can be local plants that have been present for generations, and I'm the new inhabitant. Native species provide essential habitats and food sources for indigenous insects, birds, and other wildlife, fostering a balanced and thriving ecosystem. Something that I should celebrate and support.
There are some science channels that I love, and one of them is BeSmart on Youtube. From their channel, I learned that in the Serengeti, the large population of wildebeest plays a crucial role in shaping the ecosystem. Their extensive grazing helps control grass levels, which in turn reduces the intensity of fires, potentially leading to an increase in tree and bush cover. This change in vegetation can benefit other herbivores, such as giraffes, who depend on tree leaves for food. Wildebeest also aid in nutrient cycling through their migrations, helping to maintain the health of the grasslands. The interactions between wildebeest and their environment demonstrate the interconnectedness of species within this complex ecosystem.
This discovery led me to explore the vital role of soil beyond just plant nutrients. I learned that soil is teeming with microorganisms that are crucial for its health. These tiny organisms, including bacteria and fungi, play a pivotal role in the soil ecosystem. They decompose organic matter, enhance nutrient availability, and support plant growth. Understanding how these microorganisms interact with the soil has been eye-opening. I now appreciate how fostering a diverse and healthy soil community can restore vitality to the land and support a more balanced and thriving garden.
Inspired by this idea, I apply colors that reflect the surroundings onto the living beings themselves. Just as an object's color can be influenced by light sources, shadows, and nearby elements, I wanted to show the interconnected relationships of living organisms within an ecosystem through color relationships.
Industrialization helped my grandparents to rebuild the country. From their efforts, my parents could have a stable life, and I could have a childhood full of warmth and joy with my sister, brother, and many friends. I do appreciate my life.
However, while the human world was developing wonderfully, problems that we didn't see—like the climate crisis and biodiversity loss—were growing on the other hand. In my case, it took quite some time to understand these issues thoroughly because they involve entangled systems that are incredibly complicated to address. The fossil fuel industry, for example, can’t simply be stopped without disrupting countless aspects of modern life, and agriculture is vital for human survival, which means we have to consider food production levels and costs; this complexity makes it difficult to quickly change unsustainable practices, despite their environmental impacts. The more I learned about these interwoven complexities, the more I felt guilty and hopeless. To be honest, I wanted to remain unaware of them. Nonetheless, I couldn't ignore it any longer because these are matters not only for me but also for my nieces and nephews. I wish these problems would get more attention from a lot more people, and that the related agreements would be treated even more seriously.
In the previous assessments, the main threats to amphibian decline other than disease were linked to human activities, such as habitat loss, degradation and over-exploitation. However, in the second assessment, the primary driver of threats to extinction crisis is shifting from disease to the emerging threat of climate change. Because climate-related problems such as decreased rainfall, soil humidity and droughts can desiccate the eggs.
Although these problems made me feel frustrated, there were some hopeful cases where effective habitat protection and management led to some improvement in the status of threatened species. What makes me so sad is that, although we are aware of the impending crisis, amphibians are unable to foresee these threats themselves, and there is no spokesperson for their species. It is our job to speak up for their situation.
I genuinely appreciate all the authors for this article on Nature and everyone who works for conservation. As one of the species on this planet, I feel a deep sense of responsibility.